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And it sure worked! Is it Tacky for my personal taste? Sure. So rather than just play a set of remixed pop songs I gave them a slice of EDM music with enough familiar pop songs to keep them on the dancefloor. These boys go to raves like Electric Daisy Carnival and see DJ’s like Axwell and Kaskade. So I gave them a banging ‘EDM’ style set with big buildups and plenty of vocals, drama and electro madness. This is a tough crowd, they want familiar songs and lose attention fairly quickly. Luckily, I was booked to play the closing set which gave me a little bit more artistic freedom. For this night it was very young gay college boys and their friends hence, the name of the party “20 Something.” This night is a pop-oriented night where top 40 dance music is expected. With that in mind, this mix was tailored to fit within a very specific crowd.
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Its a compromise and if done right everyone ends up happy. Thats when experience comes in, you have to tread a happy medium between audience, your specific sound and the clubs need to make money. Does that mean that I just play what the audience wants to hear? Absolutely Not. I’ve learned that my preferences for music is minor as compared to the ultimate goal, your job as a dj, the reason your getting paid, to make people dance. Ive played disco infused sets to older people, hard tribal to circuit muscle boys, sophisticated house to high end clubs and everything in between. While my preference is to play tech-house and tribal-house all night, the reality is that prior to reaching a super star dj category you have to learn to dj to all kinds of difference audiences. Introduce new tracks and your sound without losing the dancefloor.Inspire people dance (whatever that takes) which in turn will allow people to,.But after listening to it several times I decided its important that I showcase my ability to cater to any audience.Īs a DJ who’s been djing for over 12 years in NYC, one thing that you learn is that your job as a dj is to: I was very hesitant to post this live mix, as this dj set was formulated to fit a very specific type of crowd, young gay college boys. Krewella, Hardwell, Kaskade, Kylie Minogue, Swedish House Mafia, Daft Punk, Icona Pop, Pink, Rihanna, Peter Rauhofer, Calvin Harris, Deborah Cox, Florence + Machine, Tiesto, Sebastian Ingrosso, Feenixpawl, Alexander Burke, Sympho Nympho, East & Young Ft. Along the way, he invites us to go beyond the simplified gay bar liberation mythology of Stonewall and enter the many other battlefields in the war to carve out space in which to exist, express, and love as a gay man.Įlegiac, sexy, and sparkling with wry wit, Gay Bar is at once a serious critical inquiry into how we construct ourselves through the spaces we inhabit and an epic night out to remember.DJ Ricardo Live at XL NYC: Power Anthem Workout Mix Pride Month JMain Floor Closing Set 2am In prose as exuberant as a hit of poppers and as dazzling as a disco ball, Atherton Lin conjures the strobing lights and the throbbing music, the smell and taste of tangles of male bodies, the rough and tender anonymous encounters, the costumes and categories-twink, top, masc, queen, tweaker, tourist, voyeur, exhibitionist-all the while tracking the protean aesthetics of masculinity and gayness. What, then, was the gay bar? Set between Los Angeles, San Francisco, and London, Gay Bar takes us on a time-traveling, transatlantic bar hop through pulsing nightclubs, after-work dives, hardcore leather bars, gay cafes, and saunas, asking what these places meant to their original clientele, what they meant to the author as a younger man, and what they mean now. In the era of Grindr and same-sex marriage, gay bars are closing down at an alarming rate.
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As gay bars continue to close at an alarming rate, a writer looks back to find out what’s being lost in this indispensable, intimate, and stylish celebration of history.